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Review: 'LaFontaines, The'
'Class'   

-  Album: 'Class'
-  Genre: 'Indie' -  Release Date: '8th June 2015'

Our Rating:
With a few notable exceptions, rap-rock crossovers suck. Its not that never the twain should meet, although unless well executed, it is rather like mixing chocolate and blue Stilton. It’s fair to say that The LaFontaines – who really don’t sound Scottish, despite the fact there are obvious stylistic similarities to Biffy Clytro and Twin Atlantic in places – offer a new take on this genre hybrid.

‘Under the Storm’ slams in with the pop sensibilities of Mansun coupled to some big, nutsy guitars and some aggro-tinged rapping. Lead single ‘King’ is ‘street’ without sounding contrived, and is lead by a dark bassline and lifted by a nagging guitar.

The title track leans more toward arena-filling anthem territory with guitar line reminiscent of late 80s U2 providing the backing to some fairly louche and nondescript rapping that’s more Fun Lovin’ Criminals than WuTag Clan, and ‘Castles’ is slips into lighter-waving slowie mode with almost worrying effortless.

Still, the rushing energy that crackle from ‘Junior Dragon’ is impressive. Managing to avoid Linkin Park lameness and keeping their contemporary melodic rock tendencies on the right side of Lower Than Atlantis et al, The LaFontaines have delivered a debut that lives up to its title.

The LaFontaines Online
  author: Christopher Nosnibor

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LaFontaines, The - Class