What is folk music, then? All acoustic? Traditional instruments? Traditional tunes/lyrics? Long hair/sandals/beard all compulsory? For myself I go with the notion that: 'as far as I know, it's only folks that make music'. I don't know where that quote comes from but it's lodged in my brain as a useful corrective for all those who are too precious about their genre.
Anyway, if you've been watching 'Folk America' on BBC4 you'll be delighted to come across PHIL LEE'S record and find that he's carrying a torch for the best traditions of American folk whilst doing his best to earn a living squarely in the heart of musicbiz, usa. The picture on the inside cover says it all; resplendent in his Stetson hat Phil Lee stands on a road on the rundown edge of town, the shining towers of capitalist success in the distance behind him.
The most important thing to know about 'So Long...' is that it's one of those rare albums where every track shines, thirteen songs of varying style and consistent excellence, each with something to latch on to and relish. The title track, of course, is the old Woody Guthrie song, performed with sly good humour; there's the traditional song, Miller's Pond; love songs that are loving, bitter and blue and social commentary of the highest order. The standout track is 'Sonny George', a country ballad on a tragic theme with a big tune and glorious resonator guitar; flirting knowingly with cheesiness but falling comfortably on the right side.
'Let There Be Love Tonight', another gloriously irresistible tune, has you checking that it's not a Bob Dylan (early 70's version) song that you've overlooked. Phil Lee and his producer Richard Bennett (“Dire Straights” Neil Diamond” Notorious Cherry Bombs” ) know this, too, and tease you with everything from his vocal style to the organ sound. It put a big smile on my face and who cares how close to pastiche it is? Dylan's done it to enough people, after all.
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In fact, there's references all over this album to musical heroes, including a Phil Lee as Tom Petty photo on the back cover, and I love it all, it's done with such affection and panache. Playing and production is shared amongst a bunch of familiar Nashville Good Guys, George Bradfute to the fore. The relaxed, joyful playing is recognisable from the work of Paul Burch and the WPA Ballclub. Paul Burch is a guest player on this record but George Bradfute seems to be the major common factor, so three cheers for George with Mr Bennett providing Guitars of course.
I can't really recommend 'So Long...' highly enough. It sounds like an old friend when you first put it on and as time goes on, it just becomes an even better loved old friend.
(John Davy www.nessmp3.com/music/biscuitsandgravy)
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